In Sarah Ruhl’s adaptation of Orlando, we are taken from the witty pages of Virginia’s Woolf’s timeless novel into the sensual world of the stage, where identity is learned and unlearned. Join Orlando and the ensemble as they salsa dance with gender, dash through carefully cut English gardens, and land centuries farther than they began with the same question: can we learn who we truly are in a world constructed to tell us who we should be?
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